Showing posts with label e-books. Show all posts
Showing posts with label e-books. Show all posts

Tuesday, August 12, 2014

My experiences using e-book/audio book platforms and subscription services

I took some time over the summer to experiment and explore a number of online e-book and audio subscription services. In addition, at the time I began my exploration, an article emailed to me from my network entitled "What’s better than Kindle Unlimited for $120 a year? This free alternative" (see Randall, 2014) also inspired me to think more about my experiment. The result is this preliminary report on my experiences using three e-book/audio book platforms or subscription services: Reading Rainbow, OverDrive and Audible. The limitation, I have only attempted to use these platforms on one device, the iPad.
  • Reading Rainbow app for iOS - free version
  • OverDrive - free through my public library
  • Amazon's Audible - 30-day trial version

I begin with the Reading Rainbow App downloaded from the App Store. Reading Rainbow was a television program when I was a kid, and now that I am a parent with girls that like to read, I decided to check out this app. Rather than being an app that talk about books and featured children performing reading, the app was essentially a "Library of Children's Books, Kids Videos & Educational Games" (See the i-Tunes review). After the long introductory video, the app visually organizes books by islands of interest (located in the sky) with interesting titles such as "the Animal Kingdom", "Genius Academy" and "Action Adventure & Magical Tales". The child can then navigate to an island of interest and access books and educational videos in that genre or topical island. In addition, the readers in the free version can check out up to five e-books into their virtual backpack. The reading experience is not only one where narration is provided, but to some extent, limited interactivity is built into the picture books, where readers can touch the page and experience certain (motion and sound) effects.

While Reading Rainbow was a hit with my first born who wanted me to subscribe so that she could access more books and return the books she had already read, I could not bring myself to do so, knowing that I had a free public library 15 minutes away from where I lived. Yet, considering that we had limited time to spend at the library each week borrowing books and that my first born devoured the books borrowed within 2 days, it seemed that access to e-books would perhaps be a better option for such a voracious reader. This brings me to the free library alternative, OverDrive.

In 2012, I blogged about my first experience using OverDrive (See that blog post here). However, at that time, I used OverDrive, I did so using the laptop. This time however, I used OverDrive with the iPad, and I must say, OverDrive is better used with iPad than a laptop. Just the portability alone and the fact that you can curl up into a chair without something warm or hot (especially in the summer) in your lap makes the iPad or tablet computer a better option for reading e-books or listening to audio books versus the laptop.

That said, to get started, you have to download the app and get your library card in hand. (Setting-up can be quite a daunting process compared to Reading Rainbow's app). Once you are set up and learn your way around the app and the library's website, you are good to go. OverDrive is definitely not as intuitive and easy as ReadingRainbow, where you can just navigate to islands of interest. Rather, navigation here requires browsing images of book covers or tapping on hyperlinks organized by genre. However, the plus side is that you can search for what you want (whereas Reading Rainbow forces you to just explore what they have available). While OverDrive was great for downloading both e-books and audio books, I do not think it sparked the enthusiasm of my firstborn as much as Reading Rainbow. Nonetheless, my firstborn enjoyed listening to the audio books and hopefully learned some new words and how they are pronounced or sound, compared to just reading the text by herself.

Another thing about OverDrive is that the collection is limited. For one reason or the other, the selection of books was particularly limiting for my peculiar interest in Judeo-Christian theology. I found few books (7 from four authors) discussing Jesus. On the other hand, I could not access the Word of Promise audio Bible that I had previously borrowed in CD-form from the same public library and had to settle for a less dramatic King James version. As such, I conclude that OverDrive perhaps may not be a platform to go for a specific hobby-related interest, but more what is the popular interest. Another down side to this, is that you only get 14 days to listen to or read the books borrowed. In addition, some books that you may be interested in may have to be placed on hold as someone else is currently reading or using the file. So you might have a queue waiting for an e-book or audio book to become available.


That brings me to Audible. Audible requires setting up an account with Amazon or signing into your existing account with Amazon. That said, I was offered a 30 day trial version of the service, enabling me to download the app and experience it. It is from this app that I was able to access the Word of Promise audio Bible, which I downloaded and was able to listen to even without Internet Access. The strange thing about this was that my CD player and radio died 2 days after I downloaded the app (must have been jealous).

Compared to OverDrive, Audible seemingly offers a greater variety of books for one's peculiar hobby-related interest. Further, you do not have to wait in a queue for a popular book. You can essentially get any book that you want for either a monthly or annual fee. Randal (2014) mentions that Kindle Unlimited charges $9.99 a month, but the fee for subscription to Audible is 14.95 per month. With this price, I will just stick it out at OverDrive and perhaps just buy the e-book that I really want that the library does not provide access to.


Now listening to audio books is like listening to the radio. When I was a child, there used to be radio dramas. And listening to audio books, (especially fictional ones) or those that employ dramaturgical or theatrical elements, reminded me of those days when I'd listen to radio dramas. Yet, I am a more visual person, and eventually tune out audio as background noise (apart from the interesting fiction books like the ones my firstborn were listening to). Further, I can only listen to one book at a time and could not fathom downloading a new audio book daily, weekly or monthly. What this means is that I would have to download books that I'd want to hear for a year, and then listen to each book until it is completed, before going on to the next book. As such, I don't think paying $14.95 per month is justified for listening to audio books, just the same way that I am unaccustomed for paying to listen to radio stations with their annoying ads.

That said, I end my report on my experiences here. Up next (in the future) is my report on the experience using Google Play as a platform for accessing e-books.

Reference:

Randall, T. (2014, July 31). What’s better than Kindle Unlimited for $120 a year? This free alternative. Bloomberg Retrieved from http://www.bloomberg.com/news/2014-07-31/what-s-better-than-kindle-unlimited-for-120-a-year-this-free-alternative.html

Monday, August 4, 2014

Mobile apps coexisting with the printed book?

I had the opportunity this summer to explore mobile apps on the iPad. In addition to experimenting with the tablet and mostly free mobile apps, I also completed my online course on "the future of storytelling". In this course, one of the final segments was on transmedia storytelling, which mentioned how the narrative of a traditionally published novel was extended through the use of mobile apps. Through this particular segment, I learned about MirrorWorld and Mirada. In this blog post or entry, I briefly introduce both MirrorWorld and Mirada, with some discussion of how these represent a new trend of convergence between traditional book publishing and mobile app development.

To begin, MirrorWorld is one of the works of Mirada in modern storytelling that mixes both traditional and technological techniques to expand on a story world first told by a novel. According to Mirada's About page,  Mirada is "a studio designed for storytellers" (Mirada 2014, "About"). They specialise in "synthesizing archetypal oral tradition with modern technique" (Mirada 2014, "About", para. 2). Mirada further dubs Mirror World as the "World’s First Living Storybook" (Mirada 2014, "Cornelia"). In my understanding of Mirror World, Mirada built a mobile app that functioned as a story engine or database that permits users to explore the story world and be immersed into an interactive experience while exploring the story. For more information on this (or if you want to check out the app for yourself), explore the following websites:


However, I just wanted to opine here that after seeing Mirror World and learning about the development of the app to expand on the novel, I think the future of traditional book publishing will persist. Hence, future books being published will have accompanying apps. These accompanying apps will expand the story world of the traditionally published book visually and otherwise. What this means in my opinion is that the printed book is not yet dead, but will co-exist in the future with apps that expands upon the narrative that the book tells.


References:

Mirada (2014). About. Retrieved from http://mirada.com/about

---(2014). Cornelia Funke’s mirror world: Crafting the World’s First Living Storybook.
Retrieved from http://mirada.com/stories/mirrorworld

Sunday, October 27, 2013

Wattpad, publishing and libraries

In a previous post entitled, 'Thoughts about librarians as publishers', I expressed the viewpoint that libraries could participate in disrupting publishing by becoming new players in the publishing market. Well in today's post, I offer a similar viewpoint, but by discussing new player in digital publishing that is doing exactly what I recommended for libraries in my previous post.

I was recently led to discover a self-described 'unlimited, ever-growing library of free books and stories' named Wattpad (URL: http://www.wattpad.com/ ). On Wattpad, users are able to discover fictional writing, share stories with friends and follow authors of interest chapter-by-chapter online and across mobile devices. It is also described as a 'new form of collaborative entertainment that connects readers and writers through storytelling and creative fiction while offering mobile and social eReading experiences'. It also describes itself as a community of readers and writers. Finally, it is free!


According to TechCrunch writer, Darrell Etherington (2013), Wattpad is an online 'Toronto-based social network based on writing and reading'. On the other hand, the site is described by Social Times writer Devon Glenn (2012) as a digital 'publishing platform' that seeks to become the YouTube for Writers and Readers. Mashable writer Adam PopeScu (2013), describes Wattpad as 'the biggest under-the-radar e-literature community on the web' as well as a 'storytelling and consumption platform for readers who want deeper interaction' (2013). Already, amateur authors have been able through the platform to land book deals from traditional publishing company according to a Huffington Post news article ('Online Writing Turned Book Deals', 2013). 

In my view, I like that Wattpad describes itself as an 'ever-growing library' as that is what I believe it is. It is a free library where authors and readers are connected without the middle man of publishing houses. Wattpad in my view is the perfect model for public libraries that want to expand their e-book collections without having to pay the ridiculous licensing fees of traditional publishers. I suggest that such libraries invest their e-book monies into platforms to host works of local and established authors, and enable community and interaction between readers and the authors in socially virtual spaces. It is my view point that Wattpad is one of our latest competitors in library-land (at least for public libraries).



References:

Etherington, D. (2013, Aug. 12). Wattpad launches new self-publishing crowdfunding, first revenue model for the social network. TechCrunch.com Retrieved from http://techcrunch.com/2013/08/12/wattpad-launches-new-self-publishing-crowdfunding-first-revenue-model-for-the-social-network/

Glenn, D. (2012, Dec. 4). How Wattpad plans to turn its publishing platform into YouTube for writers. 

'Online writing turned book deals: Three teen authors who got their big break online'. (2013, Mar. 23). HuffingtonPost.com. Retireved from http://www.huffingtonpost.com/2013/03/23/beth-reeks-and-other-teen_n_2935560.html?ncid=edlinkusaolp00000003

PopeScu, A. (2013, Sep. 30). Wattpad is the most active social site you've never heard of. Mashable.com Retrieved from http://mashable.com/2013/09/30/wattpad/